B. 1930 Richard Anuszkiewicz trained at the Cleveland Institute of Art in Cleveland, Ohio (1948 – 1953), and then with Josef Albers at the Yale University School of Art and Architecture in New Haven, Connecticut (1953 – 1955) where he earned his Masters of Fine Arts.
He was one of the founders and foremost exponents of Op Art, a movement during the late 1960s and early 1970s.[1] Victor Vasarely in France and Bridget Riley in England were his primary international counterparts. In 1964, Life magazine called him "The New Wizard of Op."[2] More recently, while reflecting on a New York City gallery show of Anuszkiewicz's from 2000, the New York Times art critic Holland Cotter described Anuszkiewicz's paintings by stating, "The drama -- and that feels like the right word -- is in the subtle chemistry of complementary colors, which makes the geometry glow as if light were leaking out from behind it." [3] Anuszkiewicz has exhibited at the Venice Biennale, Florence Biennale and Documenta, and his works are in permanent collections internationally.
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B. 1930 Richard Anuszkiewicz trained at the Cleveland Institute of Art in Cleveland, Ohio (1948 – 1953), and then with Josef Albers at the Yale University School of Art and Architecture in New Haven, Connecticut (1953 – 1955) where he earned his Masters of Fine Arts.
He was one of the founders and foremost exponents of Op Art, a movement during the late 1960s and early 1970s.[1] Victor Vasarely in France and Bridget Riley in England were his primary international counterparts. In 1964, Life magazine called him "The New Wizard of Op."[2] More recently, while reflecting on a New York City gallery show of Anuszkiewicz's from 2000, the New York Times art critic Holland Cotter described Anuszkiewicz's paintings by stating, "The drama -- and that feels like the right word -- is in the subtle chemistry of complementary colors, which makes the geometry glow as if light were leaking out from behind it." [3] Anuszkiewicz has exhibited at the Venice Biennale, Florence Biennale and Documenta, and his works are in permanent collections internationally.