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"Portraits Imaginaires 26.3.69 III 1969" by Picasso Estate Signed Editions - New Listing $3,600
  • Portraits Imaginaires 26.3.69 III 1969 Limited Edition Print by  Picasso Estate Signed Editions
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    Portraits Imaginaires 26.3.69 III 1969 Limited Edition Print by  Picasso Estate Signed Editions - 0
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  • "Portraits Imaginaires 26.3.69 III 1969"

    1969

    Picasso Estate Signed Editions

    Limited Edition Print
    Lithograph, 1969, By M. Salinas After P. Picasso.

    Size: 65.5x50.5 in  |  166x128 cm

    Edition: Not Numbered, From the French Edition of 250

     
    NEW
     
    LISTING INFO
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    ARTIST BIO
    Other : Signed & Dated in the Stone
    Condition: Excellent
    Purchased from : Dealer 2019
    Story / Additional Info : After Pablo Picasso (1881 - 1973) - Unsigned\
    \
    Title: Portraits Imaginaires 26.3.69 III (s.8780) \
    Medium: Lithograph, 1969, by M. Salinas after P. Picasso. Numbered in pencil H/C (Hors Commerce). From the French edition, marked “F” before the number. There were also 250 copies of the American edition. One plate from the portfolio Vingt-neuf Portraits imaginaires. Paris: Cercle d’Art, 1970. The lithographs were executed by Marcel Salinas under Picasso’s commission to reproduce a series of imaginary portraits painted on packing cardboard in Mougins between February and May 1969.\
    Printed by: Marcel Salinas in1969\
    Publisher: Editions Cercle d’Art, Paris.\
    Size: 65.5 x 50.5 cm\
    Edition: 250 copies for the French edition, marked F and 250 for the American edition, marked A.\
    Note: At the beginning of 1969 Picasso was in Mougins, on the French Rivieira. It was a tiring time for the great artist. He was having a series of exhibitions in Avignon, and was being ferociously attacked in some of the press. He had been quite ill, and recuperation was taking its time. And, at 88, old age was finally knocking strongly at his door.\
    In Mougins he salvaged and recycled a set of cardboard sheets, some say from a consignment of art materials, others from the packing boxes of a new kitchen. The different textures and appearances of these sheets of carton appealed to him and he viewed the large panels of cardboard as canvases, so he set to work: from the 30th of January 1969 to the 7th of May, during one of his famous bursts of creative energy, he created a number of portraits on different sheets of cardboard, all variants of XVIIth century musketeer-type of gentlemen (and two women, one in a mantilla, the other naked). Each portrait was in gouache with simple and brilliant colours. They are all clearly linked together, each a transformation, or mutation, from the earlier one. As usual, Picasso did not title his works but the individual portraits can be identified with the date, appearing in the same style on them all, and, if more than one was produced in the same day, with a sequential number that he added in Roman numerals. The whole series became known as Portraits Imaginaires or Imaginary Portraits. The series was first exhibited at the Galerie du Dragon in Paris, belonging to his friend Zervos, and there a young publisher called Charles Feld saw them and conceived the idea of reproducing some of them in lithography. He submitted the idea to Picasso and, for the first time in his life, the artist consented to have 29 of the portraits reproduced in lithography. An important part of the stipulation was that the different types of cardboard were to be reproduced exactly. The artist chosen for the task was Marcel Salinas, and Picasso supervised the process throughout, authoring the printing only when completely satisfied. The printing was done at the Ateliers Dethuit and Guillard-Gourdon; the process took over a year and, upon completion, the plates were destroyed. This was going to be the last of the great cycles of Picasso lithographs. Each print is hand numbered and carries, in the plate, the signature of Picasso as it appears on the original gouache portraits. Two editions exist: “A” for the American market, and “F” for the French, each of 250 copies.\

    Certificate of Authenticity : Art Brokerage
    LID : 136789
    Picasso Estate Signed Editions

    Art Brokerage: Picasso Estate Signed Editions: In a time span of over 75 years, Picasso amazed the world with his versatility and genius. His art captured a unique style that was rich in personal expression and diversity. Picasso bestowed upon the world a legacy of art that was to be admired for generations. The works of art in our collection were selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death in 1973, his granddaughter Marina authorized the printing of these original lithographs, which have come to be known as the Picasso Estate Collection. The lithographs were meticulously created after the original works (Oil Paintings, Watercolors, Pastels, Charcoal Drawings, etc.) by Master Chromist Marcel Salinas, who worked closely with Picasso in his lifetime. They are printed in an edition of 500 on first-quality Arches paper. To ensure authenticity, each print is signed and numbered in pencil by Marina Picasso and embossed with the estate and chromist's seals, along with the legend on the reverse "Approved by the heirs of Pablo Picasso". To ensure authenticity, each of the 500 limited edition Lithographs is numbered and signed by Marina Picasso, and is stamped with the embossed seal of the estate and the chromist. Listings wanted. Check out our new sister site Bluechipartbrokerage.com

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