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"Marilyn Monroe, Fingernails and Nita Naldi, 2 Prints 1940" by Alberto Vargas - $1,500 Steal This
  • Marilyn Monroe, Fingernails and Nita Naldi, 2 Prints 1940 Limited Edition Print by Alberto Vargas
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  • "Marilyn Monroe, Fingernails and Nita Naldi, 2 Prints 1940"

    1940

    Alberto Vargas

    Limited Edition Print
    lithograph on Paper

    Size: -30 x -21 in  |  -76 x -53 cm

    Edition: From the edition of 500

     
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    LISTING INFO
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    ARTIST BIO
    Hand Signed : Signed Lower Right in Pencil
    Condition: Excellent
    Not Framed
    Purchased from : Other 1985
    Certificate of Authenticity : Art Brokerage
    Alberto Vargas

    Art Brokerage: Alberto Vargas Peruvian Artist: b. 1896-1982. Alberto Vargas was born in Arequipa, Peru, in 1896, the son of a successful photographer, and was educated in Switzerland. Arriving in New York in 1916, he was determined to stay in America and pursue what became an illustrious career. Alberto Vargas' name has become synonymous with pin-up girls, but in the early 1940s, he was just a guy hired by "Esquire" magazine to imitate departed star George Petty, who bolted over pay. Vargas initially aped Petty's sleek women with their telephone posing and large-hat lounging; soon, however, Vargas' own distinctive, delicate watercolor style emerged. His wide-eyed wonder- women rivaled Betty Grable as the ultimate pin-up girl of World War II. Vargas (who signed his Esquire work "Varga") had already achieved some notoriety for his Ziegfeld Follies and movie poster art. But "Esquire" made him famous, though he was paid poorly and, like Petty, eventually quit. Vargas was given a second shot at fame and fortune by longtime fan Hugh Hefner. Alberto Vargas' regular "Playboy" slot in the 1960s and '70s elevated Vargas to a pinnacle eclipsing Petty. One of the true giants of American illustration, Alberto Vargas has created an art style so sensuous, so exquisite, that for the past six decades his magnificent paintings of women have come to embody the fantasies of three generations of women and men around the world. His work also appeared in "Harper's Bazaar", "Theatre Magazine", and "Tattler". Alberto Vargas passsed away in December 1982.

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