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"Infinite Love Ceramic Unique Sculpture 2008 18 in" by Charles Sherman - $2,500 Make Offer! New Listing
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Infinite Love Ceramic Unique Sculpture 2008 18 in

"

2008

Charles Sherman

Sculpture
Ceramic With Iron Oxide Patina

Size: 18 x 18 x 4 in  |  46 x 46 x 10 cm

Edition: Unique Multiple

 
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LISTING INFO
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ARTIST BIO
Hand Signed : Sc 051708 Incised on Lower Right Side of Sculpture
Condition: Excellent
Purchased from : Other 2017
Provenance : The continuum of planes that create my Infinity Ring sculptures and jewelry designs are inspired by the Mobius Strip; a form first formulated by the 19th century German mathematician and astronomer, A. F. Mobius. The Infinity Ring form has no beginning and no end. The bottom side becomes the top side and the inside becomes the outside. Touch any point on the edge with your fingertip and trace its circular form. After completing a few revolutions you\'ll eventually end up at the point where you first started. The continuum form is also the same principle that Dutch graphic artist M.C. Escher used to explore infinity and the reversal of positive and negative forms in space.
Certificate of Authenticity : Art Brokerage
Charles Sherman

Art Brokerage: Charles Sherman American Sculptor: B. 1947. The intersection between spirit and form is a primary factor in the work of sculptor Charles Sherman. Sherman's ceramic objects are both earth-bound and ethereal and are concerned with the energetic implications of imagery, the psychological resonance of pictures, objects and materials, and the eternal double helix of life and art. Sherman's sculptures are tactile and careworn like leather wine skins, mathematical and organic like bent machine gears from the Stone Age, resolved and inscrutable like impossible to solve magic tricks. The Charles Sherman Rings are partially inspired by 19th century German mathematician A.F. Moebius's continuum of planes, the same formulation of the reversing-planar structure on which Escher based his most famous drawings. Each is a three- or four-sided twisted ring whose planar surfaces are continuous, having neither beginning nor end, inside nor outside. Each one seems to be a heavy optical illusion whose surfaces and architectural mysteries invite no, require the sense of touch in order to fully comprehend them. Private commissions available.

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