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"Untitled Woodcut 1908" by Felix Vallotton - Reduced Again $2,700
  • Untitled Woodcut 1908 Limited Edition Print by Felix Vallotton
    Untitled Woodcut 1908 Limited Edition Print by Felix Vallotton - 0
    Untitled Woodcut 1908 Limited Edition Print by Felix Vallotton - 1
    Untitled Woodcut 1908 Limited Edition Print by Felix Vallotton - 2
  • "Untitled Woodcut 1908"


    Felix Vallotton

    Limited Edition Print

    Size: 8x10.5 in  |  20x27 cm

    Edition: Not Numbered

    Hand Signed : Lower Right
    Condition: Excellent
    Framed with Plexiglass
    Purchased from : Gallery 2008
    Certificate of Authenticity : Art Brokerage
    LID : 124491
    Felix Vallotton

    Art Brokerage: Felix Vallotton Swiss/French Artist: b. 1865-1925. Félix Edouard Vallotton (December 28, 1865 – December 29, 1925) was a Swiss/French painter and printmaker associated with the collective known as Les Nabis. He was an important figure in the development of the modern woodcut. Over the following decade, Vallotton painted, wrote art criticism, and made a number of prints. In 1891, he executed his first woodcut, a portrait of Paul Verlaine. The many woodcuts Vallotton produced during the 1890s were recognized as innovative, and established him as a leader in the revival of true woodcut as an artistic medium. In the western world, the relief print, in the form of commercial wood engraving, had long been utilized mainly as a means to accurately reproduce drawn or painted images and, latterly, photographs. Vallotton's woodcut style was novel in its starkly reductive opposition of large masses of undifferentiated black and areas of unmodulated white. Vallotton emphasized outline and flat patterns, and generally eliminated the gradations and modeling traditionally produced by hatching. He was influenced by post-Impressionism, Symbolism, and especially by the Japanese woodcut: a large exhibition of ukiyo-e prints had been presented at the École des Beaux-Arts in 1890, and Vallotton, who was like many artists of his era an enthusiast of Japonism, collected these prints. His woodcut subjects included domestic scenes, bathing women, portrait heads, and several images of street crowds and demonstrations—notably, several scenes of police attacking anarchists. He usually depicted types rather than individuals, eschewed the expression of strong emotion, and "fuse[d] a graphic wit with an acerbic if not ironic humor".Vallotton's graphic art reached its highest development in Intimités (Intimacies), a series of ten interiors published in 1898 by the Revue Blanche, which deal with tension between men and women. Vallotton's woodcuts were widely disseminated in periodicals and books in Europe as well as in the United States, and have been suggested as a significant influence on the graphic art of Edvard Munch, Aubrey Beardsley, and Ernst Ludwig Kirchner. Listings wanted.