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"Rhythms" by Hans Richter - $2,500 Motivated
"

Rhythms

"

1923

Hans Richter

Photography
Silver Print

Size: 9.5 x 7.5 in  |  24 x 19 cm

Framed: 17 x 15 in  |  43 x 38 cm

Edition: 1000/1500

LISTING INFO
|
ARTIST BIO
Not Signed
Condition: Excellent
Framed with Glass : Wood frame with white matting
Purchased from : Gallery 1994
Provenance : Swann Galleries
Certificate of Authenticity : Invoice from Swann Galleries 1994
Hans Richter

Art Brokerage: Hans Richter German Artist: b. 1888-1976. Hans Richter (April 6, 1888 – February 1, 1976) was a German painter, graphic artist, avant-gardist, film-experimenter and producer. He was born in Berlin into a well-to-do family and died in Minusio, near Locarno, Switzerland. Richter's first contacts with modern art were in 1912 through the "Blaue Reiter" and in 1913 through the "Erster Deutscher Herbstsalon (de)" gallery "Der Sturm", in Berlin. In 1914 he was influenced by cubism. He contributed to the periodical Die Aktion in Berlin. His first exhibition was in Munich in 1916, and Die Aktion published as a special edition about him. In the same year he was wounded and discharged from the army and went to Zürich and joined the Dada movement. Richter believed that the artist's duty was to be actively political, opposing war and supporting the revolution. His first abstract works were made in 1917. In 1918, he befriended Viking Eggeling, and the two experimented together with film. Richter was co-founder, in 1919, of the Association of Revolutionary Artists ("Artistes Radicaux") at Zürich. In the same year he created his first Prélude (an orchestration of a theme developed in eleven drawings). In 1920 he was a member of the November group in Berlin and contributed to the Dutch periodical De Stijl. Throughout his career, he claimed that his 1921 film, Rhythmus 21, was the first abstract film ever created. This claim is not true: he was preceded by the Italian Futurists Bruno Corra and Arnaldo Ginna between 1911 and 1912 (as they report in the Futurist Manifesto of Cinema), as well as by fellow German artist Walter Ruttmann who produced Lichtspiel Opus 1 in 1920. Nevertheless, Richter's film Rhythmus 21 is considered an important early abstract film. Richter moved from Switzerland to the United States in 1940 and became an American citizen. He taught in the Institute of Film Techniques at the City College of New York. While living in New York, Richter directed two feature films, Dreams That Money Can Buy (1947) and 8 x 8: A Chess Sonata in 8 Movements (1957) in collaboration with Max Ernst, Jean Cocteau, Paul Bowles, Fernand Léger, Alexander Calder, Marcel Duchamp, and others, which was partially filmed on the lawn of his summer house in Southbury, Connecticut. In 1957, he finished a film entitled Dadascope with original poems and prose spoken by their creators: Hans Arp, Marcel Duchamp, Raoul Hausmann, Richard Huelsenbeck, and Kurt Schwitters. After 1958, Richter spent parts of the year in Ascona and Connecticut and returned to painting. Richter was also the author of a first-hand account of the Dada movement titled Dada: Art and Anti-Art which also included his reflections on the emerging Neo-Dada artworks.

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