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"Rinse (Second State) AP 1978 (Rare)" by James Rosenquist - 🔥Framed - Fabulous and Very Well Priced $2,600
Rinse (Second State) AP 1978 (Rare) Limited Edition Print by James Rosenquist
Rinse (Second State) AP 1978 (Rare) Limited Edition Print by James Rosenquist - 0
Rinse (Second State) AP 1978 (Rare) Limited Edition Print by James Rosenquist - 1
Rinse (Second State) AP 1978 (Rare) Limited Edition Print by James Rosenquist - 2
Rinse (Second State) AP 1978 (Rare) Limited Edition Print by James Rosenquist - 3
Rinse (Second State) AP 1978 (Rare) Limited Edition Print by James Rosenquist - 4
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James Rosenquist

"Rinse (Second State) AP 1978 (Rare)"

1978
  • Limited Edition Print : Etching And Aquatint on Pescia Italia Paper

    Size : 23x40 in  |  58x102 cm
    Framed : 41x24 in  |  104x61 cm
    Edition : From the AP edition of 11

    REDUCED
    FAVORITE
    WELL PRICED
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LISTING INFO
ARTIST BIO
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Hand SignedSigned And Dated Lower Right; Numbered And Titled Lower Left in Pencil 
Condition Excellent 
Framed with PlexiglassNatural Wood. 
Purchased fromPrivate Collector 2014 
Provenance / History142A, Glenn.  
Story / Additional InfoThis print is the second state of James Rosenquist's Rinse. The first state, from the same year, is printed in tones of blue, while the second state here is printed in blacks and greys. Rosenquist created dozens of prints in the 1970s with similar layouts of three distinct areas of imagery laid out on a horizontal sheet. Rosenquist began his career as a billboard painter, which influenced his frequent use of popular commercial imagery and horizontal compositions. His works combine fractured, overlapping, and disproportionately sized images to create visual narratives. Rinse strays a bit from those compositions with its more abstract imagery and basic shapes. 
Certificate of AuthenticityArt Brokerage 
LID85879
James Rosenquist - United States

James Rosenquist was an American Pop artist known for his monumental paintings and prints. Often appropriating commercial imagery, his montage-like works combined popular culture, Surrealism, and historical painting methods. “Much of the aesthetic of my work comes from doing commercial art,” the artist once said. “I painted pieces of bread, Arrow shirts, movie stars. It was very interesting. Before I came to New York I wanted to paint the Sistine Chapel. I thought this is where the school of mural painting exists.” In his politically charged multi-panel painting F-111 (1964–1965), the artist offered a visual critique of the Vietnam War, with a medley of mushroom clouds, advertising, and populist imagery. Born on November 29, 1933 in Grand Forks, ND, Rosenquist went on to attend the University of Minnesota, before studying at the Art Students League in New York under George Grosz, Morris Kantor, and Edwin Dickinson. The artist's early career as a commercial sign painter ended in 1960, after witnessing two coworkers fall to their deaths from a scaffold. Focused on his career, Rosenquist moved to a studio in Lower Manhattan, where he met other artists such as Ellsworth Kelly, Robert Indiana, Jasper Johns, Robert Rauschenberg, and Jack Youngerman. Transitioning away from cultural references into more abstract subject matter, he lived and worked between Aripeka, FL and New York, NY. Rosenquist died on March 31, 2017 in New York, NY. His works are held in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., and the Tate Gallery in London. Listings wanted.

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