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"Untitled Woodblock Print 1985" by Joel Shapiro - On Fibrous Japanese Paper $2,975
Untitled Woodblock Print 1985 Limited Edition Print by Joel Shapiro
Untitled Woodblock Print 1985 Limited Edition Print by Joel Shapiro - 0
Untitled Woodblock Print 1985 Limited Edition Print by Joel Shapiro - 1
Untitled Woodblock Print 1985 Limited Edition Print by Joel Shapiro - 2
Untitled Woodblock Print 1985 Limited Edition Print by Joel Shapiro - 3
Untitled Woodblock Print 1985 Limited Edition Print by Joel Shapiro - 4
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Joel Shapiro

"Untitled Woodblock Print 1985"

1985
  • Limited Edition Print : Hand Pulled Woodblock on Fibrous Japanese Paper

    Size : 17x13.5 in  |  43x34 cm
    Edition : From the edition of 41

    MOTIVATED SELLER
    REDUCED
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LISTING INFO
ARTIST BIO
DISPLAY SUGGESTIONS
Hand Signed : Hand Signed in Pencil/Graphite By the Artist
Condition : Excellent
Not Framed
Purchased from : Publisher 1991
Provenance / History : U.LA.E.
Story / Additional Info : Info: Printer / Publisher: Universal Limited Art Editions (U.L.A.E. / ULAE) For this works at U.L.A.E., "Shapiro's works take on the quality of wood collage prints where the Artist incorporates the wood trim of a doll house where such collage pieces are inked and printed by the Artist himself. Text from U.L.A.E.
Certificate of Authenticity : Art Brokerage
LID : 120269
Joel Shapiro - United States

Art Brokerage: Joel Shapiro American Artist: b. 1941 He is an American sculptor renowned for his work composed of simple rectangular shapes. His early work is characterized by some by its small size, but Shapiro has discounted this perception, describing his early works as, all about scale and the small size was an aspect of their scale. He described scale as a very active thing that is changing and altering as time unfolds, consciously or unconsciously, and, "a relationship of size and an experience. You can have something small that has big scale. In these works he said that he was trying "to describe an emotional state, my own longing or desire. He also said that during this early period in his career he was interested in the strategies of artists Robert Morris, Richard Serra, Carl Andre, and Donald Judd.

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