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"River Siesta - Quiet Otter Bronze Sculpture 24 in" by Leo E. Osborne - Limited Edition Bronze Sculpture $5,200
River Siesta - Quiet Otter Bronze Sculpture 24 in Sculpture by Leo E. Osborne
River Siesta - Quiet Otter Bronze Sculpture 24 in Sculpture by Leo E. Osborne - 0
River Siesta - Quiet Otter Bronze Sculpture 24 in Sculpture by Leo E. Osborne - 1
River Siesta - Quiet Otter Bronze Sculpture 24 in Sculpture by Leo E. Osborne - 2
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Leo E. Osborne

"River Siesta - Quiet Otter Bronze Sculpture 24 in"

LISTING INFO
ARTIST BIO
DISPLAY SUGGESTIONS
Sculpture Foundry Mark 
Condition Excellent 
Purchased fromOther 2017 
Certificate of AuthenticityArt Brokerage 
LID102674
Leo E. Osborne - United States

Art Brokerage: Leo E. Osborne American Artist and Sculptor: b. 1947. Leo continues to investigate many mediums and potentialities in art, as with his paintings, which he refers to as “acrylusion”, the fusion of acrylic paint over gold leaf gilded panels. He refuses to get locked into a niche and play the same tune over and over. He has always been a sort of rebel. His philosophy is that ART transcends all borders and boundaries. Each creation of our hands comes from the heart and mind and reflects the creative spirit and energy of the Universal Maker. Therefore, we must honor it as sacred. As caretakers of this planet, we must in all hospitality and with consciousness leave this life having given back something of beauty. We must be led by spirit and like so many artists prior, we are storytellers of our time. Painting and sculpture are rhythm, musical form, mood, feeling, the jazz and the energy within. Release that from wood or with paint and the story unfolds. Early showings of Osborne’s paintings were seen around Cape Cod, where he spent many summers working and surfing. He recalls that around 1968 he was the guiding force behind an art event in Pembroke that they called the Pauper’s Art Festival. Moving to the Maine Coast in 1970, he “dropped out” in order to live in the woods, 2 miles from pavement. He began painting signs to make money and then to carve them in 1974 when his daughter Rachel was born. Thus began the evolution into his bird carving period where he showed throughout North America and won many of his numerous and prestigious awards. In 1990 he moved to the beautiful Pacific Northwest and furthered his interest in bronze sculpture and has since produced many works. He is found often at the foundry overseeing new pieces and working with his favorite patineur and friend Tim Norman. Listings wanted.

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