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"Quattro Litographie (Four Lithographs) 1973" by Lynn Chadwick - 1973 Suite of 4 Lithographs with Portfolio With Case $3,995
Quattro Litographie (Four Lithographs) 1973 Other by Lynn Chadwick
Quattro Litographie (Four Lithographs) 1973 Other by Lynn Chadwick - 0
Quattro Litographie (Four Lithographs) 1973 Other by Lynn Chadwick - 1
Quattro Litographie (Four Lithographs) 1973 Other by Lynn Chadwick - 2
Quattro Litographie (Four Lithographs) 1973 Other by Lynn Chadwick - 3
Quattro Litographie (Four Lithographs) 1973 Other by Lynn Chadwick - 4
Quattro Litographie (Four Lithographs) 1973 Other by Lynn Chadwick - 5
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Lynn Chadwick

"Quattro Litographie (Four Lithographs) 1973"

1973
  • Other : Medium: Artists Book , 1973, Contained in Orange Board Portfolio Case With Front

    Size : 27.75x19.75 in  |  70x50 cm
    Edition : From the Edition of 99

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LISTING INFO
ARTIST BIO
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Hand Signed 
Condition Good - Condition: Each sheet generally in good condition with minor creases. The portfolio has slightly weathered. 
Purchased fromAuction House 2021 
Story / Additional InfoReference: Printed by: Atelier Bisonte, Florence Bisonte Catalogue, Florence 1983, Number 169, 170.171.172. The Atelier Bisonte in Florence, is one of the best print making atelier in Italy (especially for lithographs). 
Certificate of AuthenticityArt Brokerage 
LID146858
Lynn Chadwick - United Kingdom

Art Brokerage: Lynn Chadwick British Artist: B. 1914-2003. After the second World Lynn Chadwick produced textile, furniture and architectural designs. He then began to make sculpture, and had his first exhibition with Gimpel Fils in London in 1950. In 1953 he was one of the twelve semifinalists for the Unknown Political Prisoner International Sculpture Competition, in which he was awarded an honourable mention and prize. By 1956 Lynn Chadwicks' reputation as a sculptor was confirmed internationally when he won the International Prize for Sculpture at the XXVIII Venice Biennale in 1956. His approach to sculpture is based in construction rather than modelling. Chadwick first makes a linear armature or skeleton on to which he applies a skin, building up the surface to a solid form. Earlier works featured a textured finish, but his latest pieces have a smoother, more refined surface, and geometry has replaced more organic form. His subject-matter ranges from the human form, abstracted but readily recognised, to animals - general types rather than specific creatures. Listings wanted.

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