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"Tappin the Keys For the Love of the Blues 2005 Embellished" by Marcus Glenn - Embellished on Canvas w Bas Relief $1,995
Tappin the Keys For the Love of the Blues 2005 Embellished Limited Edition Print by Marcus Glenn
Tappin the Keys For the Love of the Blues 2005 Embellished Limited Edition Print by Marcus Glenn - 0
Tappin the Keys For the Love of the Blues 2005 Embellished Limited Edition Print by Marcus Glenn - 1
Tappin the Keys For the Love of the Blues 2005 Embellished Limited Edition Print by Marcus Glenn - 2
Tappin the Keys For the Love of the Blues 2005 Embellished Limited Edition Print by Marcus Glenn - 3
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Marcus Glenn

"Tappin the Keys For the Love of the Blues 2005 Embellished"

2005
  • Limited Edition Print : Giclee on Canvas With Hand Embellishment And Bas Relief

    Size : 32x25.5 in  |  81x65 cm
    Framed : 36x42 in  |  91x107 cm
    Edition : From the edition of 62

    REDUCED
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LISTING INFO
ARTIST BIO
DISPLAY SUGGESTIONS
Hand SignedHand Signed And Numbered on the Verso  
Condition Excellent 
Framed without GlassHeavy Duty Gold Brochade Frame With White Mat 
Purchased fromGallery 
Provenance / History  
Story / Additional Info  
Certificate of AuthenticityArt Brokerage 
LID128570
Marcus Glenn - United States

Art Brokerage: Marcus Glenn American Artist: b. 1968. Marcus Glenn was born in 1968 in Detroit Michigan. Marcus credits his artistic skills as God given ability and studying artists such as Picasso, Jacob Lawrence, Romare Bearden, Benny Andrews and Ernie Barns. In 1988 at the age of twenty Marcus participated in his first public art exhibition hosted by Gerald Marant Gallery along with former Detroit Pistons player John Salley. As a free-lance cartoonist his comic strip Double Trouble was published daily in the News and ran for 3 years. In 1988 Marcus was commissioned by Daimler Chrysler to paint a mural. Later that year, he was commissioned by renowned restauranteur, Patrick Coleman, for a mural. In 1999 he was featured in a group exhibition hosted by Daimler Chrysler. Glenn's figures are animated and mannerist in approach, often stretching and twisting into impossible positions. Marcus Glenn also has created a unique form of combining painting with sculpture to form a bas-relief effect. He calls this style Flat Life and has been developing the idea for more than a decade. Marcus is considered one of the most exicitng of a new breed of young African-American artists to emerge in recent years. His work deals with issues that continue to fascinate him, like the creative process of making art; the solitary experience of the artist, the dialog between art and the viewer, (Marcus will often incorporate the works of other artists into his imagery); and music, mostly Jazz. Listings wanted.

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