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"Untitled Painting AP 1967 w proof" by Paul Jenkins - $2,700 Well Priced
  • Untitled Painting AP 1967 w proof Limited Edition Print by Paul Jenkins
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  • "Untitled Painting AP 1967 w proof"

    1967

    Paul Jenkins

    Limited Edition Print
    Silkscreen

    Size: 20 x 28 in  |  51 x 71 cm

    Edition: Artist Proof

     
    MUST SELL
       
    REDUCED
       
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    LISTING INFO
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    ARTIST BIO
    Hand Signed : Signed and dated by the artist
    Condition: Mint
    Not Framed
    Purchased from : Publisher
    Additional Info : This was produced at the Pratt Graphics Center in New York City during the summer of 1967 by the master Tamarind trained printer, Jurgen Fischer-Purchased from Professor J. Clapsaddle, who worked in the studio. Seller is including the working proofs which are in three sheets and the techniques. All the pieces are authenticated by Jerry Clapsaddle and by Paul Jenkins with hand written notes and process. A very rare piece with all of the artist preliminary works.
    Certificate of Authenticity : Art Brokerage
    LID : 24883
    Paul Jenkins

    A prominent figure in American Abstraction, Paul Jenkins secured himself as a lasting name in the fine art world through his stunningly nonfigurative works, whether in his poured oils on canvas or his delicate yet pungent color prints. While his works lack in representation, an experimental spirit and his embrace of chance, what he called ‘Phenomena’, carried throughout any medium he touched, providing for brilliant creations that transcend the notion of painting as well as graphic conventions. Paul Jenkins (American, 1923–2012) Born in Missouri in 1923, Paul Jenkins grew up wanting to be artist and on the weekends would work at a ceramics factory, where watching the master mold-maker’s handling of shape and color, he said, had a profound effect on his ideas about painting. During this time Jenkins achieved international prominence for his early abstractions due to his method of abstraction which is a tactile, chance-driven method of painting that privileged almost every technique over brushwork. His first solo exhibition in New York was in 1956 with the Martha Jackson Gallery, a leading gallery of the time, and with the Whitney Museum of American Art in New York purchasing a painting from the exhibition success followed. In 1959, Peggy Guggenheim purchased a Paul Jenkins painting from the artist’s studio in Paris further cementing his status.

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