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"Horsefeathers Thirteen - IV 1972" by Robert Rauschenberg - Very Very Well Priced $2,700
Horsefeathers Thirteen - IV 1972 Limited Edition Print by Robert Rauschenberg
Horsefeathers Thirteen - IV 1972 Limited Edition Print by Robert Rauschenberg - 0
Horsefeathers Thirteen - IV 1972 Limited Edition Print by Robert Rauschenberg - 1
Horsefeathers Thirteen - IV 1972 Limited Edition Print by Robert Rauschenberg - 2
Horsefeathers Thirteen - IV 1972 Limited Edition Print by Robert Rauschenberg - 3

Robert Rauschenberg

"Horsefeathers Thirteen - IV 1972"

1972
  • Limited Edition Print : Lithograph, Pochoir Collage Embossed

    Size : 28x22 in  |  71x56 cm
    Framed : 32x38 in  |  81x97 cm
    Edition : From the edition of 89

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LISTING INFO
ARTIST BIO
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Hand Signed : Lower Right
Condition : Excellent
Framed with Glass : Bronze Aluminium
Purchased from : Gallery 1988
Provenance / History : Purchased from American Design Ltd in Denver, CO
Certificate of Authenticity : Gemini G E L Los Angeles, CA
LID : 86206
Robert Rauschenberg - United States

ArtBrokerage.com: Robert Rauschenberg was a prominent member of the American Post-War avant-garde. The artist’s sculpture-painting hybrids known as Combines, broke through the two dimensionality of the canvas at a time when Abstract Expressionism dominated the scene. His seminal Neo-Dada work, Erased de Kooning (1953), consisted of ritualistically wiping out an original drawing he purchased from the famed painter. “I don't really trust ideas, especially good ones,” he once said. “Rather I put my trust in the materials that confront me, because they put me in touch with the unknown.” Born Milton Ernest Rauschenberg on October 22, 1925 in Port Arthur, TX, he was drafted into the Navy during World War II where he served as medical technician in San Diego. After the war, he used the GI Bill to travel to Paris to study at the Académie Julian, where he met his future wife Susan Weil. He and Weil went on to attend the Black Mountain College in North Carolina alongside John Cage and Merce Cunningham. Have settled in New York in 1949, Rauschenberg began questioning the nature of painting through works such as Bed (1955) and Monogram (1955–1959), which utilized commercial imagery and mass produced objects. Many of the artist’s ideas foresaw the emergence of Andy Warhol and Pop Art in the 1960s. The artist died on May 12, 2008 in Captiva, FL. Today, Rauschenberg’s works are held in the collections of the Tate Gallery in London, The Museum of Modern Art in New York, the Walker Art Center in Minneapolis, and the Kunstmuseum Basel, among others. Listings wanted.

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