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"Red Barn 1969" by Roy Lichtenstein - 🔥1969 Framed Screenprint - Blue Chip
Red Barn 1969 Limited Edition Print by Roy Lichtenstein
Red Barn 1969 Limited Edition Print by Roy Lichtenstein - 0
Red Barn 1969 Limited Edition Print by Roy Lichtenstein - 1
Red Barn 1969 Limited Edition Print by Roy Lichtenstein - 2
Red Barn 1969 Limited Edition Print by Roy Lichtenstein - 3
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Roy Lichtenstein

"Red Barn 1969"

1969
  • Limited Edition Print : Screenprint on CM Fabriano Paper

    Size : 19.06x26.06 in  |  48x66 cm
    Framed : 25.59x31.5 in  |  65x80 cm
    Edition : From the edition of 250

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Hand SignedSigned By the Artist in Pencil, With Full Margins. Blind Stamp, Lower Right 
Condition Mint 
Framed with PlexiglassFramed in a Hand Stained Wooden Moulding With Inse 
Purchased fromDealer 2021 
Provenance / HistoryPrivate Collection 
Story / Additional InfoRoy Lichtenstein (1923 - 1997) Title: Red Barn. Medium : Original screenprint, 1969, on CM Fabriano paper, signed by the artist in pencil, with full margins. Blind Stamp; Lower right (Gabrrielle Mazzotta Editore chop). Edition: 250. Size: Paper size: 48.4 x 66.2 cms ; Image size: 36.5 x 43.6 cms Published by: Gabrielle Mazzotta Editions, Milan. Printer: UnknownNotes: After spending the first few years of the 1960s painting scenes from comic books, Lichtenstein found himself enraptured by a new subject matter: landscapes. In 1964, the Pop artist created his first paintings of floating clouds, ocean tides, and rolling hills, drawing inspiration from the nature scenes often overlooked in the background of cartoon strips. Over the following decades, Lichtenstein continued to put his Pop art spin on landscape painting, choosing to portray scenes from nature that felt clichĂ© or mass-produced. For example, his prints of ray-filled sunrises remind viewers of images found on travel postcard. 
Certificate of AuthenticityArt Brokerage 
LID148029
Roy Lichtenstein - United States

Art Brokerage: Roy Lichtenstein was an American artist known for his paintings and prints which referenced commercial art and popular culture icons like Mickey Mouse. Composed using Ben-Day dots—the method used by newspapers and comic strips to denote gradients and texture—Lichtenstein’s work mimicked the mechanical technique with his own hand on a much larger scale. He was a leading figure in establishing the Pop Art movement, along with Claes Oldenburg, Andy Warhol, and Jasper Johns. “I take a cliché and try to organize its forms to make it monumental. The difference is often not great, but it is crucial,” he once said of his work. Born on October 27, 1923 in New York, NY, he studied under painting under Reginald Marsh at the Art Students League of New York after graduating from high school. Drafted by the US Army during World War II, he notably encountered the works of European masters and contemporary artists while stationed in France. After the war, he returned to America and completed his degree at Ohio State University, producing paintings in the vein of Abstract Expressionism. Lichtenstein began teaching art at Rutgers University during the late 1950s, meeting fellow faculty members involved in the New York art scene, including the performance artist Allan Kaprow. By the early 1960s, he had begun showing with Leo Castelli gallery in New York, and made major breakthroughs with works such as Drowning Girl (1963), a satirical take on melodramatic pulp fiction of the era. Themes of irony and cliché prevailed throughout the remainder of Lichtenstein’s career, as evinced in his Haystacks (1969), a take on the canonical series by Claude Monet. The artist died on September 29, 1997 in New York, NY. Today, his works are held in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., and the Tate Modern in London. Listings wanted.

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