"Venetian School 1 1996" by Roy Lichtenstein - 🔥Fabulous Large Lithograph - Blue Chip
Venetian School 1 1996 Limited Edition Print by Roy Lichtenstein
Venetian School 1 1996 Limited Edition Print by Roy Lichtenstein - 0
Venetian School 1 1996 Limited Edition Print by Roy Lichtenstein - 1
Venetian School 1 1996 Limited Edition Print by Roy Lichtenstein - 2
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Roy Lichtenstein

"Venetian School 1 1996"

LISTING INFO
ARTIST BIO
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Year1996
Hand SignedSigned in Pencil  
Condition Mint 
Purchased fromDealer 2021 
Provenance / HistoryAmerican Dealer 
Story / Additional Info Lithograph and screenprint in colours, 1996, on Lanaquarelle, paper, signed in pencil, dated & numbered, the full sheet, with the publisher's blindstamp, Gemini G.E.L., Los Angeles, and their inkstamp and workshop number verso. Size: Image: 39 7/8 x 25 in. (101.2 x 63.5 cm) ; Sheet: 47 ¼ x 31 ¾ in. (120 x 80.6 cm) . Published by: Gemini G.E.L., Los Angeles. Reference: Mary Lee Corlett: “The prints of Roy Lichtenstein” (Catalogue Raisonne) Number 295. G. 5219. Note: Roy Lichtenstein’s tongue-in-cheek humour is ever-present in this work as it makes a pun about the 15th-century Venetian school and the popular window coverings. Artists such as Titian and Veronese were considered to have brought a primacy of colour over the line of the artwork of this period. Lichtenstein subverts this with a cool palette and his recognisable bold outlines. 
Certificate of AuthenticityArt Brokerage 
LID146562
Roy Lichtenstein - United States

Art Brokerage: Roy Lichtenstein was an American artist known for his paintings and prints which referenced commercial art and popular culture icons like Mickey Mouse. Composed using Ben-Day dots—the method used by newspapers and comic strips to denote gradients and texture—Lichtenstein’s work mimicked the mechanical technique with his own hand on a much larger scale. He was a leading figure in establishing the Pop Art movement, along with Claes Oldenburg, Andy Warhol, and Jasper Johns. “I take a cliché and try to organize its forms to make it monumental. The difference is often not great, but it is crucial,” he once said of his work. Born on October 27, 1923 in New York, NY, he studied under painting under Reginald Marsh at the Art Students League of New York after graduating from high school. Drafted by the US Army during World War II, he notably encountered the works of European masters and contemporary artists while stationed in France. After the war, he returned to America and completed his degree at Ohio State University, producing paintings in the vein of Abstract Expressionism. Lichtenstein began teaching art at Rutgers University during the late 1950s, meeting fellow faculty members involved in the New York art scene, including the performance artist Allan Kaprow. By the early 1960s, he had begun showing with Leo Castelli gallery in New York, and made major breakthroughs with works such as Drowning Girl (1963), a satirical take on melodramatic pulp fiction of the era. Themes of irony and cliché prevailed throughout the remainder of Lichtenstein’s career, as evinced in his Haystacks (1969), a take on the canonical series by Claude Monet. The artist died on September 29, 1997 in New York, NY. Today, his works are held in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., and the Tate Modern in London. Listings wanted.

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