Pilgrims Progress 2000 36x46 - Huge
Todd Schorr
Original Painting : Acrylic on Canvas
Size : 30x40 in | 76x102 cm
Framed : 36x46 in | 91x117 cm
New Reduced
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🔥🔥🔥Huge Framed Acrylic on Canvas - Inquire $$$$$$$
Year2000
Hand SignedLower Right
Condition Excellent
Framed without GlassDark Wood Frame
Purchased fromGallery 2000
Provenance / HistoryPurchased from Merry Karnowskys gallery in Los Angeles, Ca. At the opening of Todds show in 2000.
Certificate of AuthenticityArt Brokerage
LID170198
Todd Schorr - United States
Art Brokerage: Todd Schorr American Artist: b. 1954. Todd Schorr (born January 9, 1954) is an American artist and one of the most prominent members of the "Lowbrow" art movement or pop surrealism. Combining a cartoon influenced visual vocabulary with a highly polished technical ability, based on the exacting painting methods of the Old Masters, Schorr weaves intricate narratives that are often biting yet humorous in their commentary on the human condition. In 1972 he entered the Philadelphia College of Art (now the University of the Arts) wanting to be a painter but was advised to pursue illustration. Schorr started professional illustration work while still in college, and soon after graduating in 1976, he moved to New York City where he produced work for projects including album covers for AC/DC, movie posters for George Lucas and Francis Ford Coppola, and covers for Time magazine that now reside in the permanent collection of the Smithsonian National Portrait Gallery in Washington, DC. By 1985 Schorr began making a concentrated effort to break away from illustration and focus on fine art painting. He was invited to show work in the 1986 landmark exhibition American Pop Culture Images Today at the Laforet Museum in Tokyo, Japan, along with notable artists Robert Williams, Suzanne Williams, Neon Park, Bob Zoell, Georganne Deen, Mark Mothersbaugh, Gary Panter, and his wife Kathy Staico Schorr, which in large part galvanized the Lowbrow and Pop Surrealism movements. Schorr continued to exhibit in group shows but by the time of his wildly successful first solo show in 1992 at the Tamara Bane Gallery in Los Angeles he had severed all ties to illustration. Schorr and his wife relocated to Los Angeles in 1999. Schorr's work has been featured in many books and periodicals on the arts including Juxtapoz as well as the documentary film The Treasures of Long Gone John. Three monographs on his work, Secret Mystic Rites (1998), Dreamland (2004), and American Surreal have been published by Last Gasp.