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"Bird Lips in a Blue Suede Wig 1997" by Tom Everhart - Reduced
Bird Lips in a Blue Suede Wig 1997 Original Painting by Tom Everhart
Bird Lips in a Blue Suede Wig 1997 Original Painting by Tom Everhart - 0
Bird Lips in a Blue Suede Wig 1997 Original Painting by Tom Everhart - 1
Bird Lips in a Blue Suede Wig 1997 Original Painting by Tom Everhart - 2
Bird Lips in a Blue Suede Wig 1997 Original Painting by Tom Everhart - 3
Bird Lips in a Blue Suede Wig 1997 Original Painting by Tom Everhart - 4
Bird Lips in a Blue Suede Wig 1997 Original Painting by Tom Everhart - 5
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Bird Lips in a Blue Suede Wig 1997 Original Painting by Tom Everhart - 7

Tom Everhart

"Bird Lips in a Blue Suede Wig 1997"

1997
  • Original Painting : Oil on Canvas

    Size : 64x64 in  |  163x163 cm
    Framed : 64x64 in  |  163x163 cm

LISTING INFO
ARTIST BIO
DISPLAY SUGGESTIONS
Hand Signed : Signed 'Everhart'
Condition : Excellent
Framed without Glass : Signed 'Everhart'
Purchased from : Gallery 1997
Story / Additional Info : Reverse contains artist's remarks and sketch. "Tom Everhart, 1997 Oil, Enamel & Acrylic 64"x64", Now I wouldn't go out Plowing today Brown Bear, with a sketch of 'Lucy' using a bear profile of her head.
Certificate of Authenticity : Art Brokerage
LID : 64307
Tom Everhart - United States

Art Brokerage: Tom Everhart American Artist: b. 1952. The explosive, dazzling color, expressionistic imagination, and big-as-life proportions are Tom Everhart's signature elements...Everhart's artwork is the culmination of 20 years of close association with cartoonist Charles M. Schulz and the Peanuts phenomenon. The only fine artist authorized to artistically render the Peanuts characters, Everhart had been a successful painter of large-scale landscapes before being asked to render drawings of the ®Peanuts characters for a commercial project in 1980. With no background in cartooning, Tom Everhart prepared for the task by projecting Schulz's comic strips onto a 25-foot wall in his studio for closer examination. Everhart was stunned to discover that, blown up larger than life, Schulz's pen strokes closely connected to his own painting style. Tom Everhart's immediate fascination with Schulz's "line" and his remarkable ability to capture it with his own distinct interpretation impressed Schulz and launched a friendship and collaboration that continued until Schulz's death in February 2000. Listings wanted, especially original oils on canvas.

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