Year2022

Hand SignedOn Verso 

Condition Excellent 

Not FramedGallery Wrapped Does Not Need Framing 

Purchased fromArtist 

Story / Additional InfoED KERNS is an American painter. He studied with Grace Hartigan, the highly regarded American Abstract Expressionist. Through his friendship with Hartigan, Kerns came to know and work with many artists of the New York School including Willem deKooning, Sam Francis, James Brooks, Philip Guston, Clyfford Still and Ernie Briggs. Kerns’ career in New York had a meteoric trajectory. In 1972, his first exhibition at the Sachs Gallery on 57th Street in Manhattan garnered high critical praise. The New York times, The Village Voice, Arts Magazine, Artforum and Art News were among the numerous publications to offer accolades for his work.Kerns lived and exhibited in Manhattan for twelve years before taking a position at Lafayette College to Chair and build the modern era Art Department. He became the youngest person to hold an endowed Chair at the college. Kerns continued his association with New York galleries by exhibiting with A.M.Sachs, Rosa Esman, Howard Scott and Florence Lynch

This painting explores the emergent principles of visual perception and connectivity to memory. The basis of the physical processes comes from an understanding of the fundamental nature of consciousness and the non locality that particles enjoy. Energy fields are seen as consciousness fields, the biochemist Rubert Sheldrake refers to these fields as "morphic resonances" in which information is shared with other sentient receivers. The abstract expressionist approach is the same idea. Gesture pulverizes the blank canvas by action strokes and emotively driven autonomic responses containing three distinct divisions: sympathetic, parasympathetic and enteric....all of which are the physical manifestation of emotional expressiveness. 

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LID158314