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"Hom'mere II (l'eautre) - Entitled l'eautre 1974" by Roberto Sebastian Matta - 🔥Framed Limited Edition Etching- Blue Chip
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Roberto Sebastian Matta
Limited Edition Print
Hom'mere II (l'eautre) - Entitled l'eautre 1974
Hom'mere II (l'eautre) - Entitled l'eautre 1974
Limited Edition Print : Etching Size : 26x20 in | 66x51 cm
Framed : 36x30 in | 91x76 cm
Edition : From the Edition of 25
4 watchers
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Year 1974
Hand Signed Lower Right
Condition Excellent
Framed with Plexiglass Gorgeous Hardwood Moulding, Silk Matting, Hardwood
Purchased from Private Collector
Story / Additional Info Artist: Roberto Matta, Chilean (1911 - 2002). Title: L'eautre from Hom'mere II - L'Eautre. Year: 1974-75. Medium: Aquatint Etching on Japon, Signed and numbered in pencil. This is from the very rare deluxe edition. Image Size: 19.5 x 14.75 inches. Size: 26.5 in. x 20 in. (67.31 cm x 50.8 cm). Printed and Published by Georges Visat, Paris 1975. Reference: Figs. 194-203 in "Matta: Index dell'opera Grafica 1969-1980" by Germana Ferrari, 1980, pgs 72-75.
Certificate of Authenticity Art Brokerage
LID 134391
Roberto Sebastian Matta - Chile
Art Brokerage: Roberto Sebastian Matta Chilean Artist: b. 1911-2005. Roberto Sebastian Antonio Matta was born in Santiago, Chile in 1911. He studied architecture at the Universidad Catolica in Santiago. In 1933 Matta traveled to Paris and worked for two years as a draftsman in the Paris studio of famed architect Le Corbusier. While visiting his aunt in Madrid, he met Federico Garcia Lorca and Pablo Neruda. Neruda introduced Matta to Salvador Dali and Andre Breton. Impressed by Matta's drawings, Breton invited him to join the Surrealist group in 1937. Influenced by his association with the Surrealists and by Marcel Duchamp's theories of movement and process, Matta began to explore the realm of the subconscious and to develop an imagery of cosmic creation and destruction. Robert Matta passed away in 2005. All Matta original works must have authentication and provenance before listing. Listings wanted by Art Brokerage.
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