Rodolfo Nieto

Art Brokerage: Rodolfo Nieto Mexican Artist: b. 1936-1985. Rodolfo Nieto Labastida (July 13, 1936 in Oaxaca – June 24, 1985 in Mexico City) was a Mexican painter of the Oaxacan School (apprenticed under Diego Rivera, later served him as an assistant). In Mexico City, Nieto began studies in 1954 at the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda", Mexico City, where he studied with Carlos Orozco Romero and met Juan Soriano, who introduced him to books on European painting. In 1959, he had his first solo exhibition at the Galerías San Carlos. Desiring to broaden his artistic influences, Nieto moved to Paris in the early 1960s. Here he became friends with artists such as Julio Cortázar, Severo Toledo and José Bianco. He worked at the Atelier 17 with Stanley William Hayter and his discovery of the work of Edvard Munch spurred an interest in wood engraving. He also worked at the lithography workshop of Michael Casse for German publisher Manus Press. In Paris away from his indigenous environment, Nieto began to re-think folk art from his native Oaxaca mainly focusing on the brightly painted hand-carved wooden animals known as alebrijes. He combined the alebrijes with the Burne Hogarth’s Tarzan comic strip stories of his childhood. Nieto wrote: “To Burne Hogarth I dedicate, in memory of the Tarzan stories of my childhood, the series of animals I drew while I was in Switzerland, likewise the xylographs I created in Munich and Paris.”1 Mentally Nieto took apart the structural aspect of the alebrijes and reconstructed them with the whimsy and wonderment of the Tarzan stories. This resulted not only in the Bestiario series of drawing and wood block prints, but established a style of painting that is now incorporated into the Oaxacan School. While in Paris, Nieto won the Biennale de Paris Prize for painting in 1963. He again won the Biennale de Paris Prize for painting in 1968. In 1966, Rodolfo Nieto illustrated “Manuel de zoologie fantastique” by Jorge Luis Borges. Nieto won the Bienal of Caen in 1970 and the Bienal de Menton. He returned to Mexico in 1972, stating that indigenous spirits called "nahuales" were calling him home. He met his wife, Nancy Glenn-Nieto, a painter, at the grand opening of David Alfaro Siqueiros Polyforum Cultural Siqueiros in Mexico City. Nieto was invited to Siqueiros' home after the Polyforum event and asked Siqueiros if he could bring along his new friend. Siqueiros said, "Of course." But Nancy preferred to spend time alone with Nieto. Later Nancy regretted not attending Siqueiros' private party. Nancy and Nieto were wed a few months later.2 The new couple developed a deep connection with art, especially Nieto's new genre of Mexican art. However, Mexico was not ready for Nieto's art. “Because Mexico rejected his art, Rodolfo went into a deep depression.” Listings wanted.