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"Portsmouth, Merchant Row Overlooking Piscataqua River 1828 1987" by John Stobart - Make Offer
  • Portsmouth, Merchant Row Overlooking Piscataqua River 1828 1987 Limited Edition Print by John Stobart
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    Portsmouth, Merchant Row Overlooking Piscataqua River 1828 1987 Limited Edition Print by John Stobart - 0
    Portsmouth, Merchant Row Overlooking Piscataqua River 1828 1987 Limited Edition Print by John Stobart - 1
  • "Portsmouth, Merchant Row Overlooking Piscataqua River 1828 1987"

    1987

    John Stobart

    Limited Edition Print
    Lithograph

    Size: 18 x 32 in  |  46 x 81 cm

    Framed: 34 x 43 in  |  86 x 109 cm

    Edition: From the edition of 750

     
    REDUCED
     
    LISTING INFO
    |
    ARTIST BIO
    Hand Signed : Lower Right in Pencil
    Condition: Excellent
    Framed with Glass : 2.5 Gold/silver Wooden Frame, Double Matted With 8
    Purchased from : Artist 1990
    Provenance :
    Certificate of Authenticity : Art Brokerage
    John Stobart

    Art Brokerage: John Stobart British Artist: b. 1929. John Stobart was born in Leicester, England on December 29, 1929. Raised by his maternal grandmother and various housekeepers, he showed an early aptitude for creativity but a lack of interest in academic learning. His low grades but apparent flair for drawing persuaded his father to enroll him in Derby College of Art in September, 1946. It was later in 1965, that John Stobart first visited the United States with four paintings of sailing ships, carefully wrapped up in brown paper and tied with string, under his arm. Stobart established Maritime Heritage Prints, Inc. in 1976 feeling that the highest quality of production could only be assured if he himself remained in control. Believing in the importance of regular communication with collectors of his prints. While continuing his popular series of paintings of the historic ports of America, Stobart has, since 1987, returned to the practice of painting contemporary outdoor subjects whenever possible. It is within this field of effort that John Stobart believes every landscape painter's ultimate contribution lies.

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