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"Miniature Figure III Bronze Sculpture 1986 4 in" by Lynn Chadwick - Fabulous New Listing
Miniature Figure III Bronze Sculpture 1986 4 in Sculpture by Lynn Chadwick
Miniature Figure III Bronze Sculpture 1986 4 in Sculpture by Lynn Chadwick - 0
Miniature Figure III Bronze Sculpture 1986 4 in Sculpture by Lynn Chadwick - 1
Miniature Figure III Bronze Sculpture 1986 4 in Sculpture by Lynn Chadwick - 2
Miniature Figure III Bronze Sculpture 1986 4 in Sculpture by Lynn Chadwick - 3

Lynn Chadwick

"Miniature Figure III Bronze Sculpture 1986 4 in"

1986
LISTING INFO
ARTIST BIO
DISPLAY SUGGESTIONS
Foundry Signature w/ Stamp : Stamped ‘C’in a Triangle
Condition : Good - Condition: Good overall. Slight casting error on face of figure.
Purchased from : Dealer 2019
Story / Additional Info : Lynn Chadwick (1914 - 2003) Title: Miniature Figure IIIMedium: Original Bronze sculpture with a dark bronze polished patina, 1986, stamped ‘C’ in a Triangle (Numbered on the underside). Reference: Dennis Farr and Éva Chadwick C41. Condition: Good overall. Slight casting error on face of figure. Public Exhibitions: Vancouver, Buschlen Mowatt Gallery, June - July 2000, illustrated (another cast).
Certificate of Authenticity : Art Brokerage
LID : 139303
Lynn Chadwick - United Kingdom

Art Brokerage: Lynn Chadwick British Artist: B. 1914-2003. After the second World Lynn Chadwick produced textile, furniture and architectural designs. He then began to make sculpture, and had his first exhibition with Gimpel Fils in London in 1950. In 1953 he was one of the twelve semifinalists for the Unknown Political Prisoner International Sculpture Competition, in which he was awarded an honourable mention and prize. By 1956 Lynn Chadwicks' reputation as a sculptor was confirmed internationally when he won the International Prize for Sculpture at the XXVIII Venice Biennale in 1956. His approach to sculpture is based in construction rather than modelling. Chadwick first makes a linear armature or skeleton on to which he applies a skin, building up the surface to a solid form. Earlier works featured a textured finish, but his latest pieces have a smoother, more refined surface, and geometry has replaced more organic form. His subject-matter ranges from the human form, abstracted but readily recognised, to animals - general types rather than specific creatures. Listings wanted.

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