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Part-Time position available, work remotely, will train, good computer skills and must love art. Send Resume to Helen@artbrokerage.com
"Phenomena Tibetan Ladder AP 1980" by Paul Jenkins - Well Priced Artist Proof $3,500
Phenomena Tibetan Ladder AP 1980 Limited Edition Print by Paul Jenkins
Phenomena Tibetan Ladder AP 1980 Limited Edition Print by Paul Jenkins - 0
Phenomena Tibetan Ladder AP 1980 Limited Edition Print by Paul Jenkins - 1
Phenomena Tibetan Ladder AP 1980 Limited Edition Print by Paul Jenkins - 2
Phenomena Tibetan Ladder AP 1980 Limited Edition Print by Paul Jenkins - 3
Phenomena Tibetan Ladder AP 1980 Limited Edition Print by Paul Jenkins - 4
Phenomena Tibetan Ladder AP 1980 Limited Edition Print by Paul Jenkins - 5
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Paul Jenkins

"Phenomena Tibetan Ladder AP 1980"

1980
  • Limited Edition Print : Rare Artist Proof Lithograph on Wove Paper With Deckle Edge

    Size : 40x30 in  |  102x76 cm
    Edition : Artist Proof

    REDUCED
    FAVORITE
    WELL PRICED
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LISTING INFO
ARTIST BIO
DISPLAY SUGGESTIONS
Hand Signed : Lower Left
Condition : Excellent
Not Framed
Purchased from : Gallery 2017
Certificate of Authenticity : Art Brokerage
LID : 127822
Paul Jenkins - United States

A prominent figure in American Abstraction, Paul Jenkins secured himself as a lasting name in the fine art world through his stunningly nonfigurative works, whether in his poured oils on canvas or his delicate yet pungent color prints. While his works lack in representation, an experimental spirit and his embrace of chance, what he called ‘Phenomena’, carried throughout any medium he touched, providing for brilliant creations that transcend the notion of painting as well as graphic conventions. Paul Jenkins (American, 1923–2012) Born in Missouri in 1923, Paul Jenkins grew up wanting to be artist and on the weekends would work at a ceramics factory, where watching the master mold-maker’s handling of shape and color, he said, had a profound effect on his ideas about painting. During this time Jenkins achieved international prominence for his early abstractions due to his method of abstraction which is a tactile, chance-driven method of painting that privileged almost every technique over brushwork. His first solo exhibition in New York was in 1956 with the Martha Jackson Gallery, a leading gallery of the time, and with the Whitney Museum of American Art in New York purchasing a painting from the exhibition success followed. In 1959, Peggy Guggenheim purchased a Paul Jenkins painting from the artist’s studio in Paris further cementing his status. Listings wanted.

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