"Untitled Silkscreen AP 1967 " by Paul Jenkins - 🔥1967 Silkscreen - 9 Watchers - a Steal - Inquire - 9 Watchers - Blue Chip Abstract Expressionist
Untitled Silkscreen  AP 1967  Limited Edition Print by Paul Jenkins
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Paul Jenkins

Untitled Silkscreen AP 1967

Limited Edition Print : Silkscreen
Size : 20x28 in  |  51x71 cm
Edition : Artist Proof

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Motivated Seller Reduced
Listing Info
Artist Bio

Year1967

Hand SignedSigned and dated by the artist 

Condition Mint 

Not Framed 

Purchased fromPublisher 

Story / Additional Info This was produced at the Pratt Graphics Center in New York City during the summer of 1967 by the master Tamarind trained printer, Jurgen Fischer-Purchased from Professor J. Clapsaddle, who worked in the studio. Seller is including the working proofs which are in three sheets and the techniques. All the pieces are authenticated by Jerry Clapsaddle and by Paul Jenkins with hand written notes and process. A very rare piece with all of the artist preliminary works. 

Certificate of AuthenticityArt Brokerage 

LID24883

Paul Jenkins - United States

A prominent figure in American Abstraction, Paul Jenkins secured himself as a lasting name in the fine art world through his stunningly nonfigurative works, whether in his poured oils on canvas or his delicate yet pungent color prints. While his works lack in representation, an experimental spirit and his embrace of chance, what he called ‘Phenomena’, carried throughout any medium he touched, providing for brilliant creations that transcend the notion of painting as well as graphic conventions. Paul Jenkins (American, 1923–2012) Born in Missouri in 1923, Paul Jenkins grew up wanting to be artist and on the weekends would work at a ceramics factory, where watching the master mold-maker’s handling of shape and color, he said, had a profound effect on his ideas about painting. During this time Jenkins achieved international prominence for his early abstractions due to his method of abstraction which is a tactile, chance-driven method of painting that privileged almost every technique over brushwork. His first solo exhibition in New York was in 1956 with the Martha Jackson Gallery, a leading gallery of the time, and with the Whitney Museum of American Art in New York purchasing a painting from the exhibition success followed. In 1959, Peggy Guggenheim purchased a Paul Jenkins painting from the artist’s studio in Paris further cementing his status. Listings wanted.

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