"Suspended Pyramid Glass Sculpture 2003 12 in" by Toland Sand - 🔥Hand Signed Glass Sculpture - 6 Watchers - Inquire
Suspended Pyramid Glass Sculpture 2003 12 in Sculpture by Toland Sand
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Suspended Pyramid Glass Sculpture 2003 12 in

Toland Sand

Sculpture : Glass
Size : 12x8 x8 in  |  30x20 x20 cm
Edition : Not numbered

5 watchers
Reduced
Listing Info
Artist Bio

Year2003

Hand SignedSide of One of the 4 Feet 

Condition Excellent 

Purchased fromOther 2006 

Certificate of AuthenticityArt Brokerage 

LID101924

Toland Sand - United States

Art Brokerage: Toland Sand American Glass Artist: Toland was born in Berkeley, California in 1949 and has fond memories and impressions of the beauty of that state as only a little child can experience. Though he left in 1954 when his father joined the CIA, the influence of Carmel and the Big Sur coastline was hard to forget and he always felt at home when the family returned every couple of years to Carmel Valley. He graduated from Colorado College in 1971 with a degree in Philosophy. Professionally, Toland has been working full time in glass since 1977, starting first with stained glass and moving to glass blowing and then to constructed glass sculpture, which he’s been doing since 1985. Self-taught, as are most glass artists his age, he has constantly sought to expand his artistic and technical vistas. Innovation is always apparent in his work. He continues to have one man shows and has won a variety of awards including the “Art in Public Spaces Award”. He’s participated in the Venice Bienale and been nominated for the 1999 Living Treasure Governor’s Award for New Hampshire. Toland has completed many commissions, mostly notably for the CEO’s of MacDonalds USA & Japan, and for IBM, Verizon, Coca Cola, Carpet Master & UPS. He is in glass and art collections worldwide. An innovator in the use of dichroic glass and polished crystal, Toland’s approach to his pieces is one of exploration, always looking for form and energy. His perspective is one of trying to reveal an interior complexity while not forgetting simplicity and elegance of form. The attention goes in and then back out, attempting to take in the totality of the piece. It is like architecture for consciousness. Access is given to the interior of the solid object and then one can exit, just like an architectural form. One’s attention becomes the fulcrum of the piece’s existence. It becomes a reflection of the viewer. Listings wanted.

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